000 01845nab a22002657a 4500
001 555579
003 OSt
005 20220506161809.0
006 sqr|pdrw|||o00| |0
007 ta
008 220506c |||qr|pdrw|||o00| |0engod
022 _a0031-7721
040 _cUM Bansalan College LIC
082 _aBPer 340
_bP538
100 _aBernardo, Maria Karla Rosita V.
_914530
245 _aDavid versus Goliath, Writer versus Publisher:
_bFair Use in Literary Works as Applied in Anvil Publishing v. Adam David/
_cby Maria Karla Rosita V. Bernardo
260 _aDiliman, Quezon City, Philippines:
_bUniversity of the Philippines College of Law
300 _a34 pages
310 _aQuarterly
362 _aFebruary 2018
440 _aPhilippine Law Journal
_vVol.91, No.1(February 2018)
_x0031-7721
_914528
520 _aIn 2015, Adam David input numerous sentences from different short stories in the anthology Fast Food Fiction Delivery into a Javascript-based code. With a click of a button, the hypertext machine would produce a seemingly new story from the random quotes, creating a new whole from severed parts, a narrative that would appear coherent despite its fragmented origins. He then published this on a blog, entitled Hi Ma'am Sir. He considered this his critique of the said short story collection, as for him, it was meant to demonstrate what he thinks is s flattening of aesthetics, politics, language, and form in contemporary short story writing in the Philippines. Anvil, the publisher of Fast Food Fiction Delivery, threatened to sue David for copyright infringement. This note is an attempt to elucidate the application of fair use in appropriation art in literary criticism, and how it affects the progress and cultivation of arts in the Philippines.
650 _aFair use (Copyright)
_914531
942 _2ddc
_cBPER.
999 _c9462
_d9462